Wednesday, 8 May 2013

K-11 is out on DVD/Bluray in Australia on June 19!


Great cover artwork for the Aussie DVD/Bluray.

Australia, you can get a copy from Eagle Entertainment.

Check your local stores too. Just don't forget to watch it from June 19. :)


K-11 is now available at Redbox!




imagebam.com

Click on image for larger view

Check for locations and details at Redbox

Friday, 3 May 2013

Jules Stewart talks to CableTV about K-11 - Part 2



In the second part of our exclusive interview with Jules Stewart, Stewart discusses what it’s like moving away from script supervisor and into the director’s chair, reading tabloids, and her relationship with her daughter, Kristen.

What is a risk for you to step away from being a script supervisor and step into the directing chair?

JS: Anytime you do something that you have never done before, it’s a risk. I really didn’t have anything to lose. When the financiers said, “We want you to direct, or we are not going to give you the money” it was sort of a done deal. I had no choice.

You mentioned casting is so important. How do you find the right actors for the part?

JS: You can’t be afraid of making mistakes because then you will never move forward. So you can take that and put that aside. For me, when you are doing a project that requires people to step outside of their comfort zone you have to find people that are engaged, that want to do it — that are not afraid of the material. You need to find people that want to go that extra mile and make the character even more intense. They have to have the ability to not just act, they have to transform that character. They have to be that character, and that’s what makes the performances real.

How hands-on were you with the film?

JS. I was 100 percent involved. I did everything. The writing process was fun. It took us about a year to write this. You know you give it to people to read and they give you notes and this project was supposed to be funded three times. So when people are willing to give you money and they give you notes, you make the changes they want. So it went through a huge changing project, but ultimately, it came back to the original idea. It went full circle.

How do the notes affect your progress on the film?

JS: You take all the notes — this is my process. You take all the notes, you say okay, and then you don’t do anything — then you think about them. At first you are inclined to say no and keep everything the way it is. But then you have to realize that other people have good ideas. When you start to make some of the changes you realize “Wow, this really works” or it doesn’t work at all and you throw it away. I only took the notes that I thought were moving the project in a forward, positive notion. I didn’t take bad ideas ever.

Did you feel as a first-time director there was something to prove?

JS: No. I was just out to tell a good story and just make a film. I had a job just like everyone else on the set. It was my job to orchestrate the choreography, the camera work, and the attitude of the performances. That was just my job. We filmed it all in 22 days. It went by so fast; it was like nothing.

Who would you love to work with in the future?

JS: Oh, that’s a tough one. I love Gary Oldman and Sandra Bullock. There are so many great performers today that it’s hard to just pick one.

What’s it like reading about your personal life and/or daughter’s personal life in the tabloids?

JS: If you read that you are crazy. People write things that aren’t true all the time; they make things up to sell their papers. We don’t buy into it. We don’t care; they could write whatever they want. A couple of years ago, when I was in the grocery store I read that my daughter was having an alien baby. It’s like, really? [laughs] You deal with it. It’s rubbish and it’s a desperate attempt to get people to spend their money.

What do you like to do in your spare time when you are not working?

JS: Well, I am a painter and I refurbish old cars. I like to rebuild old vintage automobiles. I paint them. I redo the interior. My friends work on the motors and stuff.

I read that you did a cook-off with Kristen on your Twitter. Is that true?

JS: Kristen loves a good challenge. We agreed to do a lasagna cook-off and we had all of our friends over and they were judges. Kristen won the cook-off and I was really proud of her.

Do you like using Twitter to connect with your fans?

JS: It’s completely awesome. It’s awesome to have people support you and make you feel like you are doing the right thing. It gives you that little something that helps you to keep going.

Where can people check out K-11?

JS: It’s on cable television. So if you have that, you can see it now On Demand. We are releasing it on DVD, which is probably what I would do, is buy the DVD. It has special features. It has director commentary, music videos, etc. But if you really want to see it, like now, you can find it On Demand.

Listen to Jules' full interview with CableTV:




Read Part 1 at our post - here.

Source CableTV with thanks to @Monica1236 for the interview.





Tuesday, 23 April 2013

Kate del Castillo & Jules Stewart interview with the Advocate about K-11



Kate del Castillo shines as the beautiful and vicious leader among the gay men and trans women incarcerated in the prison thriller K-11.

When gay men and transgender women are incarcerated in the Los Angeles County Men’s Central Jail, they’re placed in a distinct dormitory with each other, in an effort to protect them from harassment at the hands of the general prison population. This ward, once known as K-11, is the subject of a new, unflinching prison drama from director Jules Stewart, a seasoned script supervisor who has worked in Hollywood for 30 years. (She’s also mother of Twilight star Kristen Stewart, who has a voice cameo in the film, and Cameron Stewart, who makes his acting debut as a prisoner.)

After a successful run on the festival circuit, K-11 is now available on Blu-Ray and DVD. The fast-paced, gripping thriller features stellar performances from its lead actors, including ER’s Goran Visnjic as the literal and figurative “straight man,” Raymond Saxx, a record producer thrown in jail for drug use. D.B. Sweeney is a sniveling, detestable foil to Raymond, as the corrupt prison guard Sgt. Johnson. As Ben Shapiro, Clerks star Jason Mewes serves as Johnson’s “man on the inside,” helping the officer funnel drugs into the prison at an exorbitant markup.

But the true star of the movie is Mexican actress Kate del Castillo, who shines in her most captivating, nuanced performance in English-language film as the self-proclaimed queen of the dorm, a Latina transgender woman named Mousey. Mousey is by turns sweet and vicious, conniving and vulnerable, at some moments the villain, at others the victim.

"You feel sorry for her,” says Del Castillo. “And on the other hand, she’s a bitch."

Mousey rules the dorm with an iron, manicured fist, physically striking down anyone who challenges her authority. She and Raymond forge an unexpectedly tender, symbiotic relationship in the film, which was shot inside a jail destined for demolition — a location Del Castillo calls “scary as hell.”

The film is not for the faint of heart, nor those easily upset by portrayals of sexual violence. While the 88-minute film does provide some sense of closure and vengeance, it depicts several instances of rape, though the scenes are not physically graphic. While director Stewart contends that, ultimately, the film is a “feel-good movie,” Del Castillo admits that it can be tough to watch.
 
“It’s a harsh film,” says Del Castillo. “It’s not an easy movie.”


 K-11 is the directorial debut for Stewart, who’s worked as a script supervisor on more than 80 films. After three separate attempts at financing the film failed, the director says she ultimately “didn’t pay any attention whatsoever to politics.”
 
Stewart acknowledges the conflict inherent in hiring nontrans actresses to play Mousey and the two other trans women in the ward. Ultimately, those roles went to nontrans actresses Portia Doubleday as Butterfly and Tara Buck as Crystal.
 
“I needed actresses,” says Stewart. “I needed the real deal. I couldn’t go, ‘Just because you’re transgender, [you get the role].’ That would be like doing a hospital film and hiring a real surgeon. I needed an actor. And there just aren’t very many [transgender performers] that I found that are actors of that caliber to play these roles.”
 
Del Castillo says she was nervous and excited about the role, calling it “a once-in-a-lifetime opportunity.” Mousey is dramatic, but Del Castillo says she tried to avoid turning her into a caricature.
 
“There was this very fine line to not cross and [become] a cartoon,” says Del Castillo. “I don’t want to insult anybody. It’s very delicate.”
 
In researching the role, Del Castillo sought training from actress Calpernia Addams and her business partner, filmmaker Andrea James, two trans women who advise Hollywood on transgender portrayals through their production company, Deep Stealth. (Addams and James also counseled Felicity Huffman when she portrayed a transgender woman in Transamerica.)
 
And though Stewart didn’t cast any transgender actors in roles portraying trans characters, she says there are trans-identified people in her film.
 
“A lot of them, actually,” says Stewart. “And they did a great job, and they were wonderful.… I was going for depth of character, and realism, and believability.”


Source Advocate

Video: Kate del Castillo launches 'Flor Violeta' perfume (CelebTV)



Actress Kate Del Castillo just launched Flor Violeta perfume and she took to her Facebook page to announce that the fragrance was finally available. According to Kate, she loves the floral, violet, fruity, fresh scent that she has created. It wasn’t just creating the scent that took time, Del Castillo says that creating the name is a nod to the fact that she’s Mexican and that she does speak Spanish, and she also wanted to give the perfume a name that Americans understand and can pronounce.

Source CelebTV