Showing posts with label Jay Mewes. Show all posts
Showing posts with label Jay Mewes. Show all posts
Monday, 19 August 2013
Wednesday, 3 April 2013
Tuesday, 19 March 2013
Kate del Castillo's interview with 'The Advocate'
Mexican actress Kate del Castillo shines in K-11, the new prison thriller from director Jules Stewart (the mother of Twilight darling Kristen Stewart and her brother Cameron, who both have cameos in the film). Del Castillo plays a transgender woman named Mousey, who rules her dormitory with an iron, manicured fist. After a successful run on the festival circuit, K-11 is now screening in theaters and available On Demand.
Based on the real-life ward in the Los Angeles County Men’s Central Jail, the film examines relationships between the gay men and trans women incarcerated for various crimes, then housed in a distinct ward to protect them from violence that might be committed against them in the general population. Del Castillo’s Mousey is captivating and nuanced, by turns sweet and vicious, one moment the villain, the next the victim.
Del Castillo left a prolific television career in her native Mexico to pursue the silver screen in the United States. She’s established herself as a crossover success with leading roles in the Fox Searchlight/Weinstein film Under the Same Moon (La Misma Luna), to date the highest-grossing Spanish language theatrical release in the United States. She solidified her status with another starring role, in Telemundo’s Queen of the South (La Reina del Sur), a short-form, prime-time telenovela that attracted more than 8.1 million viewers in its first week on the air in 2011, making it the most successful telenovela premiere in the Web’s history, according to the Internet Movie Database.
But Del Castillo’s turn as Mousey in K-11 is arguably her most nuanced English-speaking performance to date. The Advocate spoke with del Castillo about being a nontrans actress playing a transgender character, her international appeal, and what she learned about the LGBT community while in this role.
The Advocate: You were tremendous in the film. What drew you to the role in the first place?
Kate del Castillo: Well, I was thrilled because… when I first read the script, I thought, OK, would I fit here? So I just love the fact that the director, Jules, thought outside the box and asked me, being a woman, to play the role. So that was a first. I was like, Oh, my God, this is a once-in-a-lifetime opportunity. So I was thrilled. And I talked to Jules a lot, trying to find that masculinity, but there is much more of a femininity that I have to be in touch with. So we worked on that, and I think that was the challenge for me as well as the risk. Because there was this very fine line to cross and not be a cartoon, with a role like that. So I had a lot of fun, and I absolutely adored working with Jules, and a role like this.
And how’s the reaction been when the film screened at festivals?
It’s a hard movie. It’s a harsh movie. It’s not an easy movie. I think it’s doing very well in the festivals, and people are responding very well. There’s people that will like it and people that won’t like it — it’s just for a certain kind of people, maybe. In a way, because I’m a romantic and I will always be, to me, I think it’s also a love story. It is. So that’s the way I see the movie. I think it’s amazing. I think Jules did an amazing job with her opera prima.
You’ve made the jump from Spanish-speaking television to American film, but do you have any concern about playing a trans character, and how that might be received by some of your Latino fans?
I always like to do different things. As an actor, you’re always just wishing and dreaming about playing different characters. And that’s the way I’ve been doing things since I got here. And I left the soap opera — not only soap opera — but those TV things, in Mexico, and I came here. I was working already, but in different roles, and very different from what I was used to. So I think they love it. And they want to see me in different characters, and change my physicality, and not [be] watching the same Kate as always. I think that’s very nice for my fans.
Were you nervous at all to take on this role?
Absolutely. But not because of that. We always, as actors, we are very insecure human beings. And of course, I was like, Oh, my God, am I going to be able to deliver it the way it should? Because, again, it’s a very fine line, and I don’t want to insult anybody, you know? It’s very delicate. So of course I was very nervous. And it was a big, big challenge. And I hate to talk good about me, but… You need to be very brave to play a role like that, because it’s a lot of risk.
Did you ever get a chance to visit the actual K-11 ward in L.A.?
I couldn’t because there were a lot of issues. They didn’t want us to go there. It was very hard for us to get there, so I couldn’t. But you know what, we shot the whole film inside a jail that was a real jail [that] they wanted to tear down. And so the whole place was just scary as hell.
I believe that. When I spoke with director Stewart, she actually said that this was a “feel-good movie.” I was kind of surprised by that, because when I saw the film, I felt more like you — that it was a harsh film. It’s well-done, it’s a powerful film, and it affected me, but I wouldn’t say that it’s a feel-good movie, despite the resolution at the end. But what would you say to encourage folks to watch the film, or what would you like to tell folks before they see the film?
It’s very hard to label the movie with one word. It is a feel-good movie at the end. You know, you have revenge. But it’s also a harsh movie. I don’t know exactly, how can I label it? You just said it. It’s a very powerful film, with very colorful characters. Because it is about the characters in this small world inside a jail, and that we really cannot know about. So I think we learn a lot from the movie, about this place, and transgender human beings that we, unfortunately, don’t know a lot about. It’s there, but we really don’t know anything about them. So answering your question, I don’t know. I would say a very powerful movie in many ways.
Do you have any connections to the LGBT community personally, in your life?
No. Well, now I have a lot of friends [who are] transgender. But I’ve done things, and been a grand marshal at the Los Angeles Grand Bicentennial Parade and Festival [celebrating Mexico’s day of independence, in 2009]. I think they like me, and I love them, even before the movie. I am very happy because I learned a lot.
Mousey is such a fierce character, and I think the way you can flip on a switch between being very sweet and kind of coy to just being brutal, I think that was really impressive and believable for your character.
Thank you so much, and I appreciate you saying that. Because it was a lot of risk and a big, big challenge for me. So I’m glad that you liked it. And yes, I think that she has those things. You feel sorry for her, and on the other hand, she’s a bitch. She is! So yes, she has that duality, which I love.
Did you do any research on transgender identities before you started filming?
Yes, I did. I did as much as I could, on the Internet, and now you can do so much. And I remembered that amazing movie, Transamerica. So I tried to contact Felicity Huffman’s vocal coach there [Calpernia Addams and Andrea James] and I did, so she helped me a lot.
Watch Del Castillo interact with costars Goran Visnjic (ER), Jason Mewes (the Jay and Silent Bob series), and D.B. Sweeney in the film’s official trailer, below.
Source Advocate
Monday, 18 March 2013
Jules Stewart's interview with Cinema Assassin
There are a few things to know about Jules, first yes she is the mother of Kristen Stewart now that that’s out of the way. Jules just Directed her first feature film K-11, a gritty tale set inside L.A’s LGBT prison ward K-11, which is an actual place. She co wrote it, she directed it and its set for release this Friday. She has a full sleeve of tattoos, She rescues wolves and is Awesome. Check out what she had to say about her debut and the cast for this long in the making project.
CA: How did you go from being a script supervisor to Directing?
JS: Well it wasn’t so easy and it wasn’t something that I planned out, my writing partner and I reached out to a few directors and that fell through. So I decided to do it myself, I stepped up to be the director because quite frankly, In standing next to directors for so many years I felt like I had really good teachers, All of a sudden I had money standing behind me and honestly when your doing a low budget film and you only have 22 days to shoot, you take what you can get and they got me. I mean honestly I dont know how else to say it, its like I didn’t plan on doing it until the very end and I am really happy I did , It was a really enjoyable experience. You realize what you know what you learned from all the years of watching.
CA: How did the story come about?
JS: A young man named Jared Kurt came to me and said I want to write a script about K-11 and I had no idea what it was. He gave me 10-15 pages of a couple of scenes and I thought wow this is pretty crazy. I did some research and found this place is real and I thought why not, this is cool, this is different, I love this. It took us about a year to write the script.
CA: That was one of the things I liked, it wasn’t a traditional story, there was some uniqueness to say the least.
JS: Yeah it’s interesting to me, because K-11 is real, its a real place and because it’s real it has a real timeline, it has structure, it has history. and what we did is we took all of those elements and made up characters and put them in there. Had a record producer, a guy thats rich, a fish out of water, a guy who absolutely does not belong in there. And took the plug out of the tub and watched the water role down the rabbit hole.
CA: Did you actually go and visit the real facility?
JS: Oh yeah on a number of occasions,
CA: How true to life is it? Obviously for dramatic purposes you’re going to have to punch up a few things
JS: Let me just say we shot this at Sybil Brand which is the woman’s jail which is closed down, but the floor plan actually mirrors Men’s County jail. So the dorm itself looks like the dorm. The only difference is the tower where the guards watch the inmates, in the real K-11 its raised up about 5 feet, our tower was on the floor., Aside from that it looks just the same and we copied the colors, the uniforms, everything, from a visual standpoint it looks like K-11, from a story standpoint we made up the story the corruption the guards. Even the color and the lighting is true, pretty accurate.
CA: For a low budget film you put in a lot of detail
JS: sometimes the truth is better than what you can make up, it has that old age, dirty grungy sound, no windows, no soft surfaces, there is an echo in there. it has such a dynamic that is unique. Plus all the lighting is overhead so you have those down angle shadows on people’s faces that are really unattractive, I thought it was great. I am a painter so it’s all about color and lighting, you want it interesting and different
CA: You hit the nail on the head with interesting and different
JS: Thanks I think?
CA: In terms of casting how did that come about? It took me a while to realize that was DB Sweeney in there.
JS: That is Awesome, I have known him quite a while, I never thought of him for this film. for me he is the classic boy next door handsome guy, and that’s not the character. He wanted this role which was great for me since casting is so important. It makes the film. But if you have actors who are just there for a paycheck especially on a small film it really shows, He brought it he stepped outside of his comfort zone in a big way and we designed his character after Hitler, it was a subtle change for him and it made a huge impact.
CA: Kate Del Castillo is big in Mexico, I wasn’t familiar with her and I wasn’t sure if she was a guy or a girl
JS: Awesome
CA: Anybody you wanted that fell through?
JS: Yes and No, Kate was the first person we cast, honestly when I met her I thought this woman is talented and so powerful, She was just the sweetest girl she was so driven, she wanted this role. You have to cast for a film like this people that embrace the characters and bring more, if they’re afraid or intimidated by the character you lost them. Originally my daughter (Kristen Stewart) attached herself to play the role of Butterfly and I thought that would have been amazing but as the years went by and you have got to remember this is six years in the making, Six years ago when my daughter was 16, 17 years old she wanted to play Butterfly really bad. We kind of altered the character to suit her. As time went buy she got really popular she was doing much bigger films. We thought it would be much better for everybody if she went and did Snow White.
CA: Was that a hard conversation?
JS: No not at all, it was better for K-11 at that point, she was too big for K-11, It wouldn’t have been a Kristen Stewart movie, It’s still a Goran Visnjic Film, You know what I mean. She would have been number four on the call sheet. When we found Portia DoubleDay it was sort of kismet. Portia came to the table with all this enthusiasm, She cut off her hair, she had this long blond hair and she cut it off for us and tied it up kind of crazy and stepped into that role so easily, she did an amazing job and she was really fun to work with. I sometimes wonder how it would have been working with Kristen in that role, It’s such a sensitive role, mother daughter it would have been a strange dynamic, As much as I would love to work with my daughter one day I think we all made the right decision.
CA: Yeah that might be tough; filming a rape scene with your daughter and Tiny might not be the easiest thing.
JS: no but it’s funny Portia and Tiny became really good friends and because of their relationship they would laugh between takes they weren’t intimidated they were able to take it to a much darker place, its sometimes difficult to do those kind of scenes but when the actors are not afraid of the material and they are friends of one another. it makes everyone much more at ease. It wasn’t even a closed set. It was ok now we are going to do this, No worries it’s just another scene and then you take it out and edit the movie and you say wow that was really intense. It didn’t feel like it on the set.
CA: It had a nice airy feeling on the set?
JS: We knew it was working but because of the laughter between takes it really wasn’t a big deal. we were working so quickly. You shoot a movie in 22 days you have a lot on your plate. So you don’t have a lot of time to sit around and labor how it feels. We had 46 people in one room and we had to choreograph these scenes so that one blended into the next and they didn’t look like scenes, but like a big ballet that was choreographed.
CA: It’s one thing dealing with an entire prison
JS: Exactly you have no walls so where do you go? One thing that helped was we shot in Continuity. The hair, the makeup the wardrobe didn’t change. You were able to shoot in order to give the actors a foundation to stand on.
CA: How did Jason Mewes come to the project?
JS: Jason is a really good friend of mine and I wanted to use him, I wanted to work with him. The goal was to show everyone that he is not just a goofy comedian that he is a very good actor, a dramatic actor. Unfortunately some of his stuff got cut because of time. I do think that Jason really pulled it off it was a really good character for him.
CA: It seemed like a lot of the characters not only played against type but they pulled it off.
JS: Jason’s a really good friend of mine we have been friends for a long time and I thought how great to work with your friends and for me it’s a big movie this little move for me is a big movie and it had a lot of challenges a lot of hardships that went along with it. I feel like the casting director Pam Dixon helped me make a lot of good choices, it’s all about casting.
CA: How did it turn out compared to how you anticipated it turning out?
JS: Well, it’s interesting we had a whole opening we shot that shows Raymond how he got into trouble and all that stuff, we decided to throw it away because I didn’t think we needed it. Very much like Cuckoo’s Nest when Jack Nicholson arrives they take the handcuffs off of him and you don’t know why he is there and you don’t need to know. So on that line we decided to start him in the jail, it’s about K-11 it’s not about Raymond Saxx then you find out about the character when he finds out.
CA: Is it true that you have wolves as pets?
JS: HAHA yes its true, I rescue them.
CA: Where do you rescue a wolf from?
JS: From people that can’t handle them, why do you want one?
CA: No I thought it was the coolest thing. When I was young I wanted a monkey and a wolf, Are they domesticated?
JS: They are socialized, I am a tamer, I love them, they come in and out of a doggie door and they live on my property and in my house. It’s very cool.
CA: What’s your next project?
JS: I like edgy films, and have a couple in development, one is a supernatural thriller that starts out in Ancient China, Its about a temple that gets unearthed. It gets deconstructed then reconstructed in the United States along with its residents from 2010 B.C that’s kind of cool, There is another one I want to do with gangs and drugs that takes place in the 70’s in New York, Italians vs the Irish and its all kids. I am kind of excited. Right now you right the scripts and you throw it out to the universe and see what sticks. It takes a long time K-11 is 6 years now, it takes a long time for independent film makers to rev up and get funding. Were hoping to close that gap with a modicum of success from K-11
CA: Was getting distribution hard?
JS: No it actually wasn’t, were with Breaking Glass for domestic distribution and now we are opening up March 15th in 15 cities.
CA: Is it going to be on VOD as well?
JS: Absolutely!
Source CinemaAssassin
K-11 featured in 'On the Red Carpet'
The movie stars "ER" alum Goran Visnjic as a businessman who ends up in a GBT unit of a Los Angeles prison without any memory of how he got there. Inside, he deals with a transsexual "ruler" named Mousey as well as many insane cellmates and corrupt guards.
Kristen was supposed to play the supporting character Butterfly, an transgender inmate who was sent to jail for suspected prostitution and later raped by a fellow prisoner. The role went to Portia Doubleday (check out more info about "K-11" on its official website). Kristen ended up having a small part as a secretary, according to Us Weekly, which quoted Jules as saying that that she cast her daughter in the larger role six years ago, when she was shooting the first "Twilight" film, and that she would have done it justice.
"Kristen has a dark side," Jules told the magazine. "Kristen has the edge -- thank God, right?"
"She got really big and we were still really small and I was like, 'Go! Go do 'Snow White,' please, go make those big films honey, that's wonderful!'" Jules told Us Weekly."
Kristen's "Twilight" co-star, Nikki Reed, was also supposed to star in "K-11." She told MTV News in 2009 that she was originally cast as transsexual prostitute Mousy, a role Kate del Castillo ended up playing.
"It's a great project, and obviously I have a lot of faith in Kristen and her mom, Jules Stewart, who wrote the script and is directing it," Reed told the outlet at the time. "Kristen is playing a boy, and I am playing a man who is quite a few years older than she is."
"K-11" opens in select theaters on March 15. Jules talked to the Los Angeles Times about the difficulty in getting the movie made.
"You would think [it] would be really easy to get financiers if [Kristen] was attached, but it wasn't," Jules told the newspaper. "You can't take ['Twilight's'] Bella Swan and put her in jail with a bunch of transvestites and expect people to go, 'Oh yeah, no problem.'"
For the last 25 years, Kristen's mother, a native of Australia, worked as a script supervisor on movies such as "Little Giants," "Mortal Kombat," "Phantom," "Flubber" and "Jingle All The Way" as well as TV shows such as "Picket Fences," "The Practice" and "The Sarah Silverman Program."
Jason Mewes, who plays stoner Jay in many of friend Kevin Smith's comedy films, also appears in "K-11" as an inmate charged with possesion of an illegal substance with intent to deliver. Kristen's brother Cameron, 27, "K-11," also has a part in the movie, which marks his on-screen debut. He plays a prisoner named Sledgehammer.
Source On the Red Carpet
Review: Jules Stewart’s debut delivers the 'most eclectic mix of prison characters since HBO’s OZ' (Cinema Assassin)
A record producer is wrongfully put into LA counties LGBT unit know as K-11,rampant with corruption with a dorm run by the transsexual mousey
Raymond Saxx (Goren Visnjic) has woken up in jail semi coherent still under the effects of drugs and alcohol and rather than being in general population he finds himself in K-11. Ray tries to figure out what has happened to him while simultaneously trying to survive in the dorm which is ruled by Mousey (Kate del Castillo) a transsexual who is in a relationship with Sgt. Johnson (DB Sweeney) the corrupt guard who thinks he runs the whole show.
First time Director Jules Stewart(yes she is Kristen’s mother) brings together the most eclectic mix of characters in a prison drama since HBO’s OZ. The lines of gay and straight get blurred, with menace always in the air. Slowly unfolding the details as to why Raymond is in jail in the first place, as well as a multitude of subplots regarding the inmates. Jules has virtually the entire cast playing against type yet pulling it of. While not being familiar with Kate del Castillo’ work her turn as Mousey was successfully convincing, the spit fire Latina is first introduced with a five o clock shadow and a don’t challenge me attitude she runs k-11 and the dorm knows it. Her turn as a chick with a dick is so convincing It wasn’t till after the film that I found out her actual gender. Jason Mewes shows he is more than just smokin weed and saying snoogins in Kevin Smith films, he has some dramatic acting chops as Mousey’s bitch running the drug operation. It’s nice to know there is more than just comedy in his repertoire. The standout of the film is easily DB Sweeney as Sgt Johnson Sweeney completely transformed himself and became the character, if you long for the guy from “the cutting edge” you have come to the wrong place. This guy is just such a, disgusting and morally bankrupt person that you can’t help but be impressed, I never realized he had it in him.
The dorm is depressing, the place is corrupt and we have a successful guy thrown into the deep waters while we watch him assimilate into the most foreign of territories. Drugs, Rape, Gender Identity, homosexuality, are all a backdrop for Ray’s story. Jules makes a successful debut delivering an intriguing story with a sly twist at the end that ties things up better than duct tape at a tranny convention.
Grade – 83
Source Cinema Assassin
Friday, 15 March 2013
Jules Stewart interview with NY Daily News
Independent films and Italian dishes, that’s what Kristen Stewart’s mom Jules Stewart has cooking.
The first of those is “K-11,” opening March 15 in theaters and OnDemand, the debut directorial effort from the longtime script supervisor. The latter is a reference to a lasagna cook-off the Australian-born film industry vet held against her daughter, star of the “Twilight” films, “Snow White and the Huntsman” and “On the Road.”
”I made a sausage-based lasagna, and Kristen made a cheese and marinara. We had friends come over as blind judges and she won,” says the woman the Twihard crowd refers to as “MamaStew.”
”K-11” is an old-school exploitation film starring ”ER’s” Goran Visnjic as a wrongly imprisoned record exec placed in a jail wing for transgendered and gay cons. Character actors like Jason Mewes, Tommy ’Tiny’ Lister and D.B. Sweeny costar, while some of the transgendered characters are not played by men-as-women, but by actresses pretending to be men transformed to women. Among them is Mexican superstar Kate del Castillo as the violent leader Mousey.
Alas, daughter Kristen is not in the film, though her voice is heard for a brief moment over the phone.
”We know it’s not a film for everyone,” says the heavily tattooed Stewart. “We’re okay with that. But midnight audiences in gay neighborhoods dressing up as the characters? That’s my dream come true. I would love to see Mousey for Halloween.”
"Twilight" fans have taken to Jules Stewart. In addition to having her own well-trafficked MamaStew tag on tumblr, the Twihards with have created at least one "K-11" Internet fan site, something virtually unheard of for a microbudget film from a first-time director about a fringe topic.
When Jules tweeted "Hey, anybody seen Kristen? Ask her to call her mom," the Internet exploded (5,000 retweets, 3,000 favorites) and speculative interpretation was like a meeting of Talmudic scholars. Commenter @Spitfire_King had a nice spin, noting "no matter what level you work, a parent chasing offspring for contact."
While Jules Stewart doesn’t claim credit for her 22-year-old daughter’s cooking prowess (”maybe I influenced her a little?”) she is quick to quip that the Hollywood star’s apple pie is ”extraordinary and award-winning.”
Far less evocative of ”apple pie” is the new film Jules is serving up. The independent production ”K-11” is a fictional film set in a very real opt-in wing of the Los Angeles County Jail for detainees who are transgendered or gay.
”It’s the only place in a jail system where race is not an issue,” she says. “Being gay or transgendered binds them all together. And, yes, there is a fashion show every Thursday.”
While this is Jules’ first film as a director, she’s been working behind the scenes for decades. Her credits as a script supervisor are diverse, ranging from David Lynch’s 1999 ”The Straight Story” to comedies like 2004’s ”Soul Plane.”
While that job is all about checking for continuity, it’s not an attribute she takes home with her. ”If I come to your house for a cocktail I’m not going to come back two months later and tell you what’s been moved,” Stewart jokes. “In my job I’m a paid observer, in life I don’t scrutinize.”
It was while she was up in Canada working on the Cuba Gooding Jr. film ”Snow Dogs” when her daughter Kristen was on set with Jodie Foster shooting director David Fincher’s ”Panic Room.” It resulted in Kristen’s biggest movie up to that time, and a special kind of Hollywood rite-of-passage.
”I wasn’t there for her birthday, so Jodie threw her a party on set,” Stewart says. “She hired a Mariachi band and had Mexican catering and everyone brought her presents. Jodie did all this while she was pregnant. When I came down for the end of the shoot, she said ’thank you for having your daughter.’”
”I’ve seen it firsthand. If publications have no news about someone, they make it up, and it hurts people,” Stewart says. “I’ve read in magazines at the grocery store that my daughter is pregnant, that she’s having a three-headed baby, that she married an alien. Obviously some stories are so ridiculous you know they can’t be true. But other false stories could potentially be true. As a mother, it is difficult to read things that I know for a fact are not true.”
As for what’s really true, well, that’s something MamaStew isn’t going to discuss. ”That has nothing to do with my film or me,” she politely, but firmly, states.
Source NYDailyNews
Saturday, 9 March 2013
Thursday, 7 February 2013
Monday, 23 July 2012
Jason Mewes to lead UK horror "Devil’s Tower"
Here’s a rather nice exclusive to start the week as we can announce that Jason Mewes and Roxanne Pallett are to co-lead the forthcoming horror film, Devil’s Tower, currently shooting in Derbyshire.
You’ll know Mewes from his brilliant work in Kevin Smith’s films from the View Askewniverse and Zack and Miri Make a Porno, and seeing him take a leading role in a British movie is a very interesting move.
Pallett has been a long-standing star of Emmerdale, and most recently appeared in the BBC’s Waterloo Road, and this should be a great role for her to break through on the big screen.
Starring alongside them will be the Tony Award-winning Frances Ruffelle (Les Misérables), Jessica Jane Clement (The Real Hustle), Peter Barrett (UFO, Jack Falls), Jazz Lintott (UFO, Airborne), and Emma Buckley (How to Stop Being a Loser), in her first principal role.
Award-winning short film director Owen Tooth will be making his feature directorial debut, with a script from newcomer Adam Marsh.
Hawthorn Productions’ Dominic Burns (How to Stop Being a Loser, UFO) will be producing, and had this to say about the upcoming film, as well as a little update on his upcoming film, UFO:
I’m thrilled with the cast we’ve put together, Roxanne Pallett is now focusing on film and I can instantly see why, her on screen performance is remarkable.
Jason Mewes is a legend and to my knowledge he’s never been in a British film. Everyone’s buzzing about working with him, we all feel exceedingly lucky to have him on board. He’s certainly taking on a role that’ll push him and I know it’s a character his fans are going to love!
Devil’s Tower is a dark, nasty movie with a shit load of scares and plentiful gore and we’ve even managed to slip in some dark comedy and a touch of sex! It’s a main stream movie we’re releasing in cinemas but it’s certainly a film proper horror fans are going to love.
On his forthcoming film UFO, and the decision to produce Devil’s Tower:
"I’ve been in post on UFO for a year, that’s the price you pay for doing a movie requiring a lot of CGI. I had long wanted to set up a slate of movies that launches directors and writers whose talent outweighs their experience and this seemed like a perfect opportunity to step back from directing and produce.
UFO is finally in the last stages of post for an early 2013 release, we’ll have more news very soon and we’ll be announcing details for the next film I’m directing in the next few weeks."
It’s great to see the British horror film industry is still very much alive, and reigning in talent like this. Fans of Mewes and Pallett should be looking forward to a very different side of them both, which is always nice to hear.
Mewes has just landed in the UK to join the production, and we can’t wait to see how it all unfolds on the big screen.
Monday, 28 May 2012
Trailer For Kristen Stewart's Mom's Film 'K-11': Let's Not Go To Prison (Hollywood.Com)
Not for the eyes of the Twilight set (though MovieLine reports that Bella Swan herself does some voice work in the film,) Stewart's bleak, unsettling, shocking vision of transexuals/transgenders and prison life (rape and violence are graphically portrayed in the preview) screened at Cannes earlier this week. Since it's Memorial Day and you're probably home from work thanking your lucky stars you're not in prison, it seems almost pointless to inform you that this trailer for K-11 is incredibly NSFW. But seriously it is and don't watch this trailer near your boss/friends/children/loved ones.
'K-11' Trailer: A Wild Prison Drama Directed by Kristen Stewart's Mom (Movies.com)
Stewart's indie drama follows Goran Visnjic as a record producer who wakes up from a drug haze to find himself locked up with the K-11 crew, led by a frightening transsexual named Mousey (telenovela starlet Kate del Castillo). While there, he contends with a troubled transgender prisoner named Butterfly (Portia Doubleday), a creepy molestor (Tiny Lister), and a villainous Sheriff's Deputy (D.B. Sweeney). Oh hello, Jason Mewes, we see you there.
We're pretty sure that mama Stewart didn't intend for her little movie to be so crazily over the top, but we're curious to see more regardless. Check out the trailer we've shared below (with thanks to Movieline for posting), and let us know if you see a pair of awesomely manic, penciled-on eyebrows in your future. K-11 just made its market debut at Cannes, so we should have more release details soon.
Movies.com via @KstewAngel with thanks.
Promo Trailer for Kristen Stewart's Mother's Transgender Prison Movie K-11 Debuts (Movieline)
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| Kate as Mousey being fierce (screencap from the promo reel) |
Twilight fandom extends interest by association to every cast member's extra-Twilight projects, and sometimes that vampire bump pays off for relatives, too. Case in point: K-11, an intense-looking prison drama that's gotten considerable exposure from the fact that it's directed by Kristen Stewart's mother, Jules. (The erstwhile Bella Swan was also once attached to star in the film, which, watching this first look at K-11, would have been very interesting). Also: Goran Visnjic stars! Roll the promo.
Oh, did I mention K-11 is about a Hollywood record producer who wakes up in jail after a bender, only to find he's been placed in the special section for homosexuals and transgender prisoners where Deebo from Friday/The President from The Fifth Element (AKA Tiny Lister) lives? And that Mexican soap star Kate del Castillo rules the coop as a terrifying transsexual named Mousey?
Also in this movie: D.B. Sweeney, Ginger from True Blood, Portia Doubleday, Jason Mewes, and reportedly the voice of Kristen Stewart, whose brother Cameron Stewart also appears making his feature debut.
Director Stewart Tweeted out a link to the promo trailer from her Twitter account, where she also recently Tweeted about buying her daughter a baguette in Cannes. The film screened there earlier this week for buyers.
[via @RealJulesStew]
Thursday, 24 May 2012
Larry Richman writes about K-11
In a landscape increasingly filled with gritty independent films, here’s one that’s been hotly awaited. K-11 is a drama is set in a special lockup for gay and transgender prisoners in the Los Angeles County prison system. The “K-11″ unit is one place where the proverbial soap drop might take you one step further.
K-11 is the auspicious directorial debut for Jules Stewart, a veteran script supervisor, shooting from her own script. The cast is chock full of recognizable faces, including Goran Visnjic (Beginners, The Girl with the Dragon Tattoo), Kate del Castillo (La Reina del Sur), Portia Doubleday (Youth in Revolt), D.B. Sweeney (Hard Ball), Jason Mewes (Clerks), Tommy ‘Tiny’ Lister (The Dark Knight), Tara Buck (True Blood, Justified), and Jules’ son Cameron Stewart. Daughter Kristen has a cameo, as well.
Friday, 18 May 2012
Jay Mewes mentions K-11 in an interview
Mewes is best known for the Jay character who pops up—quiet, chubby sidekick in tow—in most of Smith’s films, including Dogma, but he boasts a lot of other credits as well. You can catch him as an inmate in the upcoming drama K11 or as a zombie in the new film Zombie Hamlet. He’s also a recurring presence on the hilarious Space Channel show Todd and the Book of Pure Evil.
“I love playing (Jay), but I definitely enjoy branching out,” Mewes said.
Read the full interview at the source via with thanks @K11OfficialFilm
Monday, 23 April 2012
Sunday, 8 April 2012
Friday, 23 March 2012
Friday, 16 December 2011
Saturday, 13 August 2011
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